The reading this week, once again, was a big reinforcement for me on some quality issues. As a teacher, I love the idea of students teaching other students, as was explained during the anecdote about the student symphony orchestra that visited Cuba. It’s not only “teachers” who can teach, and sometimes the message gets lost when the connection is not there. Lessons can be more valuable from peers who are viewed to be in the same situation.
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In the seventh chapter entitled “The Way”, the authors tell us to “Include mistakes in our definition of performance.” As a lighting designer for live productions, I can only think back on a few memorable productions over my years that have been A+. In my mind, for a production to be flawless, it has to include everyone and everything- The artist performance, the sound, lights, even the audience enthusiasm plays a role. Many times I’ve finished a show, and out of the thousands of lighting cues that I triggered that night, I walk away thinking “I was late on cue 5 in the verse of the third song”. It amazes me that one bad cue can ruin my night, and the view of the production that night in my mind, but it does. While I strive for perfection on a nightly basis, I must also realize that one missed cue did not destroy the show for the thousands of people in attendance that night. It’s tough, because we want to be perfect, but it is such an unattainable goal, that we must not make that the only criteria for success.
"House Lights...Go"
Shawn I totally understand that feeling of wanting to get it perfect. It can be very challenging to be able to let go of that ideal. The funny thing is that I'm sure the audience didn't even notice. Being part of the performing arts I remember countless times of trying to get something right over and over again and it was only in that moment of throwing caution to the wind, of being able to transcend the mind and we allow ourselves to get lost in the feeling does that magic happen. That's a lot easier said than done though ;p
ReplyDeleteShawn, I know what you are talking about in regards to getting things perfect, but you have to remember what da Vinci said: "Art is never finished, only abandoned." A live show is much like teaching. We only have one shot to get it right. But, our audience, our students, do not know if we really made a mistake or not, and should not influence the rest of our day or week for one bad "cue" or "note." What I am saying is that we always have tomorrow to make our lesson better and our students will be there wanting to see us try.
ReplyDeleteGreat reflection and summary on the reading. It's that the accepted definition of professional: to perform flawlessly without error every time. The thing is that artistic perfection goes way beyond flawlessness and that one cannot be distracted with the pursuit of a perfect performance if one wants to experience the deeper meaning. At least, that's what I've heard. I tend to just be thankful to make it through a session without a giant performance derailing error. I should probably raise my expectations a tad.
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